Leo Black's memoir not only recalls 'the Glock Era and After' in a series of informative, poignant, witty and judicious vignettes, but is also a key text for understanding one of the great ages of British music. From 1959 to 1972 William Glock, as Controller, Music, stamped his personality memorably on BBC Radio, gathering around him a talented staff that included emigres and experts in Continental music new and old. Among the young recruits was Leo Black, an intelligent musician with an affinity for singers and Austro-German music. In his 28 years at the BBC - years that extended well beyond 1972 - Black learnt the system, worked with leading BBC figures and musicians, produced countless programmes and discovered his own identity. This memoir not only recalls 'the Glock Era and After' in a series of informative, poignant, witty and judicious vignettes, but is also a key text for understanding one of the great ages of British music. Includes illustrations by Milein Cosman. Leo Black is the author of Franz Schubert: Music and Belief and Edmund Rubbra: Symphonist, both published by the BoydellPress.

Leo Black, a pupil of Rubbra in the 1950s, presents a full-scale study of his symphonies (the first for twenty years). A biographical sketch throws light on legends about the BBC and Rubbra; there are full programme notes on eachsymphony, with accounts of important non-symphonic works. The music of Edmund Rubbra (1901-1986) has been unjustly neglected - arguably because its wide-ranging nature makes it difficult to categorise. He is perhaps best known as a symphonist; his eleven symphonies covered a period of musical and political upheaval [1934 - 1980], the first four reflecting the uneasy later 1930s, with a second global conflict no longer avoidable. The immediately-post-war ones document new emotional depths and his conversion, whilethe final symphonies show a man still in search of peace and reconciliation, overlooked by the world but certain he was on the right path. Leo Black, a pupil of Rubbra at Oxford in the 1950s, here presents a sympatheticfull-scale study of these works (the first for some twenty years). A succinct biographical sketch throws light on legends about the BBC and Rubbra; there are full programme notes on each symphony, with shorter accounts of important non-symphonic works, in particular a 'triptych' of concertos from the 1950s and major liturgical pieces composed around the time of the Second Vatican Council, after Rubbra's conversion to Catholicism. He also deals with the vexed question of Rubbra's mysticism. LEO BLACK is a former BBC chief producer for music and author of the highly-acclaimed Franz Schubert: Music and Belief [2003].

Remarkable new study...Its central submission, that we have hitherto disregarded or misinterpreted the most profound intuitions of a unique composer, certainly carries conviction. And even after one reading there are already musical passages that this Schubert enthusiast finds himself hearing in quite a new way. Bayan Northcott, BBC MUSIC MAGAZINE A sensitive and richly allusive commentary... likely to change the way we listen to certain works. Brian Newbould The old stereotypes of Schubert as Bohemian artist and unselfconscious creator have been replaced over the past half-century with a picture of a difficult man in difficult times. The author aims to redress the balance, concentrating firstly on works where Schubert's beliefs are clearly expressed (masses, other religious music, songs amounting to Geistliche Lieder). This also prompts an examination of instrumental masterpieces (Unfinished and Great C Major Symphonies, and the Wanderer Fantasy), which show that Schubert's religious side encompasses awe and terror as well as wonder. Schubert's 'complete voice' is thus clearly heard, rather than the sombre one currently emphasised in both literature and concert. LEO BLACK is a former BBC chief producer for music.

Leo Black, a pupil of Rubbra in the 1950s, presents a full-scale study of his symphonies (the first for fifteen years). A biographical sketch throws light on legends about the BBC and Rubbra; there are full programme notes on each symphony, with accounts of important non-symphonic works. The music of Edmund Rubbra (1901-1986) has been unjustly neglected - arguably because its wide-ranging nature makes it difficult to categorise. He is perhaps best known as a symphonist; his eleven symphonies covered a period of musical and political upheaval [1934 - 1980], the first four reflecting the uneasy later 1930s, with a second global conflict no longer avoidable. The immediately-post-war ones document new emotional depths and his conversion, whilethe final symphonies show a man still in search of peace and reconciliation, overlooked by the world but certain he was on the right path. Leo Black, a pupil of Rubbra at Oxford in the 1950s, here presents a sympatheticfull-scale study of these works (the first for some fifteen years). A succinct biographical sketch throws light on legends about the BBC and Rubbra; there are full programme notes on each symphony, with shorter accounts of important non-symphonic works, in particular a 'triptych' of concertos from the 1950s and major liturgical pieces composed around the time of the Second Vatican Council, after Rubbra's conversion to Catholicism. He also deals with the vexed question of Rubbra's mysticism. LEO BLACK is a former BBC chief producer for music and author of the highly-acclaimed Franz Schubert: Music and Belief [2003].

One of the most influential collections of music ever published, "Style and Idea" includes Schoenberg's writings about himself and his music as well as studies of many other composers and reflections on art and society. There is an interpretive essay by Joseph Auner, Chair and Professor of Music at Tufts University, that augments this anniversary edition.